Slurping Turtle – Ann Arbor

Now, here is the thing. I really, really enjoy writing about food, especially of the ‘eating out’ variety. But, as I have lamented previously, in France I simply can’t afford the good stuff most of the time (although I have to say that I had an excellent lunch at Maison Druout in St. Rémy not long ago but was, alas, cameraless, hence proofless). Whenever I return to the States to visit my family, it is like whooppeeeeeee because a) they are foodies like me and need little to no encouragement to try something new and b) as Ann Arbor is a very cosmopolitan town, there is an international mix of delectables on nearly every block.

Of those, the opening of Slurping Turtle was the big kerbloom this year, as one would expect when a Michelin-starred chef – in this case Takashi Yagihashi – decides to go low brow and open up a noodle joint. Save, of course, as we all know, Michelin-starred chefs don’t really do low brow, do they?

Despite copious scheming, I wasn’t able to make it to Slurping Turtle until my Mom’s Birthday. Now, if you have been reading here for any length of time, you will know that, in our family, the Birthday Rules are always firmly in place, meaning: Birthdayee calls the shots and don’t even think about being snarky to said person in any way, shape or form. As my Mom was planning on going out to a big, sparkling dinner that evening (something that never happened as a giant thunderstorm rolled in with tornado warnings – eh oui, c’est le Midwest  – and so I ended up baking my zillion spiced salmon and coconut milk mashed sweet potatoes on the fly), we were only there to “eat light.”

Now, truly, tapas is my favorite style of eating. I am the walking definition of gourmande, aka piggy, so there you have it, the more things to try the better. While this meant that we did not get to slurp what is probably the most authentic Tonkotsu in North America (in-house freshly made ramen noodles with a machine imported from Japan, yada-yada), we did get to have several tasty treats that have remained in my memory and are filed away under the vague category of: “kitchen inspiration” (certainly as though I eat like a foodie, I cook like a Food E).

The Birthday Girl’s favorite was (and it is no longer on the menu so it is rather unkind of me to tease you with it) a soy-marinated salmon tortilla with an anchovy aioli that was so good that when the waiter asked if he could take away the plate when there was only three capers left on it, we said no.
While the shrimp shumai received welcome nods of contentedness around the table, for me, the slam dunk was the sesame-marinated chicken fried in duck fat. I believe that it was my Sister who wisely opined, “What doesn’t taste better cooked in duck fat?” A good question Robin, one that leaves me perplexed with perhaps a timid suggestion of: Skittles? Amazingly, as this was not the favorite of the other two redheads, they let me finish them off. Perfume rising up, skin crunching into sweetness, juice down the chin…don’t mind if I do.
The only potentially weak spot was presented in the pork belly bao as it didn’t quite have the magical bite to sink in ratio of their simpler counterparts that I would retrieve from an open window in Chinatown on hungover mornings when the symphony of NYC was set to screaming. Ah, yes, happy memories of headachy breakfasts can’t compete with this zingier version, soy-ginger glaze or no.
If the comfort of comfort was missing in the bao, we certainly found it in the chocolate cream puff that was generously offered by our server in salutations of my Mom’s big day (and yes, once I realized that we would be getting such goods, I continued to fling out such hopeful announcements wherever we ate and was rarely disappointed. Do you think such a gesture would happen in France? Free dessert? Are you mad?). We used our remaining chopsticks to pry open the brioche with a slightly crumbled crust and rolled our eyes over the pillow puffed mousse inside.
Cheers, chef Takashi and thank you for giving some lovely gifts to even the non-bithdayees at the table. As the turtle is the symbol of longevity in Japan, by all means let him slurp on…
Slurping Turtle
608 East Liberty Street
Ann Arbor, Michigan, 48104
Tel.: (001) 734-887-6868

Proximity

When I first moved to Paris, I didn’t actually move to Paris. You see, Remi chose our apartment before I arrived – one that was close to the prestigious Gamma Photo Agency that he had been working with for years. We lived right on the other side of the Périphérique, the ring road that surrounds Paris proper, in a quiet suburban neighborhood (one that was shockingly so for this former Manhattanite). It was a ten to fifteen minute walk back to our flat from the metro, depending on which line we had taken, our moods and the weather. I remember strolling arm in arm on the way home from one of those rare evenings that we had spent in the City – for we were quite poor then – and looking with surprise at all of the apartments lining the boulevard with such strong overhead lights shining out of the windows (something that I still find odd) even in the finest buildings where chandeliers were quick with a wink. The figures inside showed up as distinctly as guests on a television show or figures in a Hopper painting, moving about their evening lives. “Don’t they close the curtains?” I asked Remi with a nod upwards. “Eh, no,” he responded. “Pourquoi?” Why wouldn’t they? “Um, for privacy?” I asked again, my voice pitching upwards on the last word. Remi turned to give me one of those bemused smiles that we would often share in those early days, when the train tracks of our cultures would cross over and then part directions. 
Somehow that memory flooded back to me this evening as I dashed around and then through the puddles, umbrella gripped and my grocery bags pulling down my shoulders. Certainly with the rain, this tiny little village had already retired for the evening and as always, the lights were on and everyone was home. I am still prudish in the American way at such proximity, as if they could feel my stare and perhaps they could if I lingered long enough as so many of the houses hold their kitchens and living rooms on the ground floor, mere steps from the street. But I did pause to catch two separate glimpses both in overly remodeled homes with shiny floor tiles and yes, neon bolts of bright white overhead. In the first, at a house where I often see chalk drawings in the alley out front, I saw a small boy, already in his pyjamas but with a yellow bib still around his neck, seated at straw-thatched chair of children’s height, low to the ground. In his hand, he held three cards and regarded them studiously with a tilt to his head as if the answers to all the world were within his grasp. I turned the corner and a few houses down, in one that had been newly rented this summer and where the Mother returned my only attempt at a “Bonjour” with a suspicious raised eyebrow, my glance was caught by a blur of movement. For there in the glow of a blue computer screen, also on a lower level to the floor, danced another boy, slightly older. His longish hair flew as his arms splayed wide, then overhead. He did a soft, unformed ballet leap. How pleased I was to know that happiness did in fact reside where I thought that it did not. 
These moments, seen so closely as if I had been simply remembering, were gathered gratefully as the rain fell down around me in the cover of night’s dark.
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As I was editing the above, I suddenly had a palm slap on the forehead of “Aha!” for I recognized and had to give credit where was due as Jaques Tati had already expressed this idea of modern French life on display long ago! Here is a tiny bit of “Playtime” a true favorite in this house, one that extends beyond language but is, as are all of his films (if only he had made more!) a fitting diorama of contemporary culture. 


Yes, you guessed it, in my weird little way, this is my Thanksgiving post. Sending much joy to all of you that will be celebrating it on Thursday…and actually to those of you who will not as well.

Down the rabbit hole

Once I discovered reading, as in really discovered the joys of it, I was a goner. Instantly, my near permanent “new kid” status didn’t sting as much because I had entire worlds to explore and so many characters to befriend. That started at when I was around seven or so. We had moved into a big Victorian home (gigantic from a kids point of view) and my bedroom was in the former maid’s quarters at the end of the hall near the back stairs to the kitchen. For some reason still unfathomable to me, as I am not nor ever was a princessey kind of girl, I chose pink as the main color theme when it came time to redecorate (this being one of the few rooms in the house that did not have the original wallpaper). Pink it became. And so perhaps it isn’t so surprising now, looking back, to see how I took refuge in the cedar-lined closet instead. I would make a little nest out of dirty clothes and with the bare bulb overhead would read until the world around me faded away entirely. My Mom has told me that at times she had to call my name repeatedly before I would “snap to.” And I still remember that feeling of being sucked back from wherever I was – walking down the street with David Copperfield – and being washed back up on the shore of that safe, small room within a room, blinking. In reading, sometimes I went so far into the weave of a story that the lines of reality blurred a bit. I was fuzzy on the edges. I would think, “I should call so and so” only to realize that I was thinking about one of the characters. 

That is how I have been feeling for the past few days. A different kind of limbo. I am deep in the pages of a book that many of you have read already (I am not saying which as I don’t want anyone to give me even the tiniest suggestion as to what happens) and it is all I can do. Is read. Somehow this story has chained itself to my heart so strongly that I feel like I am carrying the book around with me even when I am not. I get lost and look at the clock and hours have passed. 
That can happen occasionally too with instagram. No, the hours don’t pass – I am not that addicted! But I find a certain hum in the scrolling and scrolling with my thumb through peoples days, their lives and adventures. It feels oddly luxurious. I am sharing a few recent photos from my account as they are better suited for the mood that I am in. Less formal, not everything is in focus, which in itself is perfect for Provence, especially at this time of year. Little pieces of in-between or that’s me, just down the rabbit hole.
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Another thing that I appreciate about instagram is the swiftness with which information passes, quicker than a tin-can telephone! And so today, when Sara Louise (@cestmoisaralouise) posted a photo of her  canine friend Fifty, I was able to get in on the action. It turns out that if those of us who have adopted dogs post a photo on ig with the adoptee adorned in a red ribbon with the tags @anniemovie and #ImARescueToo, $1 will be donated to the ASPCA. Isn’t that amazing? Ps. Something that I learned about him in taking this photo? That he was quite pleased wearing it – which rather surprised me and made me wonder if he didn’t wear a bandana around his neck in his “previous” life. Something else that I learned about him later on in the day? Firecrackers truly piss him off. Eh, oui.

For those of you that already follow me on instagram – all 411 of you! Hooray! – I hope that you don’t mind the photo repeats in this post too terribly. And for those of you that don’t, feel free to join me at @lostinarles…
To everyone? Have a wonderful weekend…

Something out of nothing


The fog lay heavy on the high hills this morning, blocking my view. So it was a lovely surprise that as I sipped my tea, it slipped away or perhaps was chased by a bullying sun. We have had much rain in the past few days so I donned my thick boots, ready to battle the mud on my morning walk with the dogs. The humidity clung in the air and I could feel the curls springing on my head and tickling the back of my neck. As we passed the park, I paused to watch a group of tiny children of the barely walking age spin out from their keepers like starlings. One boy among them held up a red leaf as if he was seeing it for the very first time, as if it might be the greatest prize. And maybe he was right. I could hear their wordless murmurs bubbling into the air as I continued on my path. The light shined so clearly that I found beauty buried in puddles, in lines of fallen branches. No different from the small ones, then, filled with delectable wonder, that quiet flying hope.

As I have said before, for me fall is not a time of degeneration but of regeneration. And what a fantastic resource awaited me after I kicked off my mud-covered Tod’s and opened up my email! The incredibly talented Vicki Archer is celebrating the sixth anniversary of her blog by offering a very cool e-book that she created for the occasion with the help of illustrator Leo Greenfield. Plus, she has completely redesigned her website and it too is a treasure-trove. Vicki is always ten if not twenty steps ahead of the game and yet she is extremely generous and genuine. You can read all about  the goings-on at http://vickiarcher.com/.


Jazz is autumn’s song. A recent discovery is the duo of Airelle Besson and Nelson Veras. Plus, imagine my delight when I learned that this mini-documentary was filmed where the album was recorded…


in Arles! 

So you see? In the little and the big, inspiration is everywhere, ours for the taking…
With my Best from Provence,
Heather

De Clergue à Picasso at the Musée Réattu – Arles

While many iconic modern painters have been drawn to the South of France solely for the quality of its light – Van Gogh, Matisse and Cezanne amongst them – Pablo Picasso also found in Arles the possibility to enjoy a favorite pastime from his Spanish youth. He came for the corridas or bull-fights presented in the Roman Arena during the Ferias and often brought famous friends such as Jean Cocteau along with him. There are photographs of him posing casually with his wife Jacqueline at the Malarte café and parting the crowds in the stands as if he were a toreador himself. 
In 1953, an ambitious young photographer, Lucien Clergue, cornered the maestro as he was leaving the Arena to show him a portrait that he had done. Picasso approved so heartily of the piece that he signed it and so a friendship between the two began. Clergue would go on to reach national acclaim with the presentation of his sumptuous nudes shot on the beaches of the nearby Camargue. In 1965, he masterminded the first collection of photography in a French museum for the Musée Réattu and was instrumental in launching the Rencontres Internationales de la Photographie four years later. 
With time, a true dialogue developed between the two men. Ideas and themes were exchanged – both shared a fascination for harlequins and gypsies for example – as were works or art. Currently, over sixty pieces from Clergue’s personal collection of Picasso works are being presented for the first time to the public within the exhibition titled, appropriately enough, “De Clergue à Picasso.” 
Picasso and the museum have shared a link for some time. In 1971, the painter very generously donated 57 numbered and dated drawings to express his fondness for Arles, something that was quite a coup at the time. Those works, in addition to the painting Portrait of Maria Picasso Lopez which was donated by Jacqueline Picasso in 1985, are on permanent display (as well as being featured in the exhibition) and add a vibrant character to this small museum perched on the banks of the Rhone River.
If, like me, you have a preference for later periods in Picasso’s work, you are in for a treat. In the drawings, etchings and linocuts presented, there is a simplicity and yet distinct lushness of line. The  interplay between the centuries old architecture of the museum and the electric modernity of the works is also attractive. Plus, the factor of discovering an unknown treasure is breath-taking. I was completely blown away by the richness and diversity of this private collection and I apologize as I was so intent on looking that my snap-happening was not (plus this is the precise moment when my little Canon G12 bit the dust). Admittedly, I have little to show that is convincing but please trust me and by all means do go if you are in the region as the exhibition is running until January 4th. 
It is also most certainly worth the effort just to see the Musée Réattu itself. Initially constructed in the 15th century, it was named a Grand Priory for the Knights of Malta in 1652 (I love to just casually toss out such facts about Arles…”Oh yes, that happened here too…”). Gargoyles loom overhead and I can always hear the knights footsteps marching up the wide stone staircases. But we have the painter Jaques Réattu to thank for it was he who bought the entirety of the property (27 lots in all) when it was sold during the French Revolution. In 1868, it became a museum that initially featured only his works (some of which are more successfully orchestrated than others). Slowly, the collections have grown and due to the active participation of such local heros as Clergue and the designer Christian Lacroix (whose wildly successful show in 2008 was a watershed moment for the museum), its future is far brighter than its past. I always suggest for visitors to go, for I am really fond of what it has become. No one listens to me but they should and certainly right now in order to delight in the exceptional viewing of “De Clergue à Picasso.” The bond between them is evident and it is a delight to peek inside the more private creative lives of these two artists and their love of this corner of Provence.

A sad UPDATE: Mr. Lucien Clergue passed away the day after I posted this at the age of 80 years old. I often saw him strolling the streets of Arles and it was evident that even if he no longer was carrying a camera in hand, he was always searching for an image with the eye of a true artist. His battle was to prove that photography be recognized as valid art medium rather than being considered a “lesser art” both in France and abroad. In 2007, he was the first person to be elected to the prestigious Académie des Beaux Arts for photography and for 2013 he was its chairman. He published over 75 books during his career and his work has been featured at numerous galleries and museums, including a solo exhibition at the Museum of Modern Art in New York City that was curated by Edward Steichen in 1961. His friendship with Picasso lasted thirty years, until the painters death.


Pour mes amis francophones, il y a un video intéressant sur son façon de travailler: ici.

And if you don’t believe me, just look at the comments in the guest book below…Ginette, who is 102 years old declared that it was fabulous…
De Clergue à Picasso
Musée Réattu
10 rue du Grand Prieuré
13200 Arles, France
Tel.: (+33) 04 90 49 37 58
Open 10am to 5pm, Closed Mondays
Until January 4th 2015
Tickets are 7€ per person
I just found this, it is a little wonky but gets the basics across:
I hope that your weekend is filled with inspiration…Olé!

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