Peaceful Mazet rental outside of L’Isle sur la Sorgue, Vaucluse

 

For once, I am the one that uncovered le bijou, something that is usually Remi’s specialty.

I had actually seen the ad for a mazet rental in the Vaucluse region a few years ago. It promised “tranquilité absolue” or absolute tranquility, something that definitely peaked my interest. But then we discovered Simiane la Rotonde and never looked back. Alas, our cabanon there had already been booked for Easter and for various reasons (including not having 100% faith in our ancient Saab) we didn’t want to travel too far from home. And so I dug through my files and had a pleasing “Ah-ha” moment when I came upon the mazet again, hidden in a forest and yet close to all. It was available and I knew immediately upon arriving that we had discovered a true find.

The late afternoon light played in the trees and through the hills rolling out in front of us. Besides the owner’s house – set a fair distance a part from the mazet – we could see nothing but forest and sky. No roads, no cars, no electric cables. Nothing. The wind whispered “Welcome.” The birds agreed.

Was I ready to drop into the world’s most comfortable loungers for a nap? Most certainly and soon…

 Patsy, the owner’s young and sprightly female, stopped by and immediately had Ben and Kipling under her thrall. Even before I stepped across the threshold, I knew that we would be good here, more than good.

While the mazet is only 45 square meters large, the owner’s wife explained to me that they built it little by little, “the traditional way, how the shepherd’s used to” so that no space would be wasted and only what was needed, as it was needed, would be added on.

The kitchen was, without a doubt, the best stocked of all of the rentals that we have seen so far. I could have cooked up a storm…and occasionally, when I could shake myself from the throes of vacationitis, I did.
How I appreciated that there are windows everywhere…
…all the better to keep an eye on what certain creatures were up to outside.
There is a television and DVD player that went virtually untouched, as well as a portable radio that let in crackly classical music after the bird’s symphony had calmed for the evening.
Even at the end of April, we were grateful for the really efficient pôele or wood-burning stove, especially during the rainy days. The classical music played then too.
That we all felt right at home was obvious…

…and I slept well in the small but comfortable bedroom. I would look forward to the moment each morning when I could pull back the curtain to find out what the day had in store.
The bathroom was perfectly clean with a large, steaming shower that was a spa miracle in comparison to our current minuscule sprinkler.

The old pine farm table was quickly covered with stacks of reading material after this photo was taken. I loved the hours that Remi and I spent across from each other, heads bent in taking in the new.
But truly, outside is the place to be…

…as we discovered immediately our first evening at the apéro, when were given a large basket of the freshest strawberries I had tasted this year.
The view and their sweetness worked well together. 
A path leads towards the owner’s house, where under an elegant stone archway…

…lies a pool that the renters of the mazet are invited to use. At 17° C it was still too cold for us, although a certain furry being dipped in his front paws and was stopped from performing a full belly flop just in the nick of time…
In July and August, the owners move into the mazet and rent out their home (with the pool). It sprawls out over several levels and is a perfect example of the atypical architecture found in this part of Provence.

They built both the home and the mazet themselves. The project has been a long one…
…and is still going on as they feel that there are always improvements to be made.
Both houses can be found at the end of a private, one kilometer long dirt track that guarantees the privacy that we so craved.
I have never experienced such quiet in France and never rested so well either. There are hiking trails criss-crossing their two hectares of land and leading in to the hills beyond. I have much to share of the beauty that we found on our walks there. The memories are solid and simply good. 
(Smiling Golden not included)
What a gift to know that we have found this charming refuge, only ten minutes outside of L’Isle sur la Sorgue (world-famous for its antique shops) and yet a world a part. Many of the most beautiful villages of the Vaucluse are only a short drive away, although you might just be content to stay put, as we were. Yes, we hope to return and soon.
Le mazet chez Les Romans
Between L’Isle sur la Sorgue and Roque sur Pernes
Owner: Michel Marcouf
Tel. +33 (0)4 90 38 54 63
Current price: from 220€ to 390€ depending on the season, not including deposit
To rent from HomeAway in English: http://www.homeaway.com/vacation-rental/p546551a
Pour le louer chez Abritel en Français: http://www.abritel.fr/location-vacances/p546551
Owner’s website for 360° views of both houses: http://les-romans.pagesperso-orange.fr/

As always, it goes without saying (hopefully) that I am not compensated in any way for my rental suggestions, I just like to pass along a good thing when I see it.
Have a great week everyone…

Human Resources

The sun had finally wrestled the rain, a sort of ha-ha jest of farewell but please come back. I could feel the hot release of this morning’s dew as the plants exhlaed into green. I blinked and shaded my eyes for a moment and kept moving. 

It was the last morning of our semi-annual “Escape the Bullfights” week in the country and we were walking, following a dirt track that might date back one thousand years or more. Kipling was far out ahead followed by Remi, then Ben trotting with his nose to the ground, then me. The usual family order.
Far along the path, so far as to have long ago stopped thinking of the packing up and the imminent return I was not yet ready for, we came upon an abandoned orchard – ancient, wizened and peaked. Spirals of bark lay in the grass exposing the trunks gone grey. I called out to Remi, “Do you think that  it is really hopeless? Nothing could be done to save them?” “Oh no, they are dead. Look,” he responded. And yet, further on, in the midst of such bleakness, one tree, one, had branches that were somehow still alive. Tiny rock-hard cherries dropped down from the leaves and swung trapeze-like in the breeze. 
Today, back at my desk with headphones in my ears to block out the street noise, I am keeping the tree forefront in my mind. That, plus the symphony of birdsong that I rose to each morning. How they did sing! Both are forms of life pushing through with beauty. Unfortunately, my little iphone can’t begin to capture the breadth and depth of sound nor the Cuckoo that kicked in just as I hit “stop.” Such a wealth of human resources, isn’t it? Human resourcing? I am well aware and grateful.

I had a really wonderful time – one ‘quasiment sans internet’, which was a good reprieve. Thank you for still being here and have a lovely weekend…

Time to skeedaddle

It is time to skeedaddle, mes amis. Ah yes, do you hear the pounding of hooves in the Arena and the rolling of wine barrels towards the bars? It can only mean one thing, the Feria de Pâques has arrived yet again. 

And this year, we have a new bodega or nightclub that is conveniently located right under…

…our bedroom window! So let’s follow that arrow…

…and leave the old things behind…

…for a bit of new!

Some time in the outdoors…

…to watch the shadows twist and turn…

…under the big blue sky.

I will let the crowds slake their blood-thirst and come back to the quieter Arles that I know and love next week. So please pardon me, it is time to dosey doe…off I go…

Kids, I know that a lot of you don’t have instagram (although you don’t need a smart phone to follow along, just take a gander here) so I thought that I would share some of my recent favorite photos. I have prepared a few very light posts for while we are gone. Alas someone beat us to the punch and reserved our beloved cabanon in the Luberon but we have found another in the country outside of L’Isle sur la Sorgue which looks lovely. However, they have told us that internet and phone connections are shaky. So if you don’t hear a peep from me, not to worry, I’ll be back soon and I will take this time to wish you a bit in advance a very Happy Easter weekend for those that are celebrating and for everyone else, Happy Spring!

Not mine but ours

Today’s post is a simple one and if the environment looks familiar, well, it is because I wrote about it only one week ago. And while I often struggle and then make peace with my memory problems, this is not the case here. If anything I felt hyper aware when thinking about sharing this with you all, my senses on alert.
Admittedly, we had experienced a rough week, capped off by the out-of-nowhere announcement that our wonderful Range Rover, who had carried us along on adventures too numerous to count, had bit the dust. Finito. Just like that. Fortunately, we have a positively ancient Saab 900 turbo (yes, the car from “Sideways”) that has been patiently waiting on stand by at the public parking lot. A new battery was plopped in, she was ready to roar and so a much needed picnic was prepared.
As it was a day not to take risks but rather solely reap rewards, we both knew to head back to the land outside of Uzes that comforts us so. We stayed for hours, to the point where the dogs were getting restless, uncertain what to make of Remi’s sleeping form on the blanket. I started walking and they bounded after me eagerly. 
I traced the perimeter of the upper terrace of vines as if I owned it, so sure were my feet slapping on the ground, crunching through the soil. And then I stopped in my tracks and slowly turned in a circle, gazing. “Of course, this isn’t mine but I am so lucky that I can be here and feel this…that is enough.” The birds sang and I sighed with contentment. Sometimes, it can be that easy.

I bounded back to fetch my iphone from the car and took the above video to pass along. I know that it is tiny and the sound is bad but hopefully in watching it you will catch a whiff of the sweet perfume of le bonheur. For that too is not solely mine but maybe it can be ours…

After hitting “publish” I can’t shake the sentiment that I didn’t quite express what I had hoped to in this post but I will make a wish…and let it go…

Have a lovely week ahead everyone and hold on tight to those dear to you…

The Fondation Vincent Van Gogh Arles

“Ah, those that don’t believe in the sun down here are truly blasphemous,” wrote Vincent Van Gogh in a letter to his brother Theo. Vincent arrived in Arles on February 20th, 1888 because he believed. He came for the light, hoping that its purity would provide similar dimensions to the Japanese prints that he loved so dearly. He stayed in hopes of creating a community of artists, an “Atelier du Sud” that would set a clear break from the soft glow of the Impressionist artists of the North. While his community failed, his art thrived and he painted over 200 oils and 100 hundred drawings within the fifteen months of his stay. It was to become the creative highpoint of his turbulent, short life and his masterpieces would change the path of modern art indefinitely.

And yet surprisingly, in recent years there has only been one Van Gogh painting in Provence, tucked away in a private collection in Avignon. Visitors from around the world came to find Vincent and left with impressions only. Images written on the air. No more.

In 2008, a decision was made to take the
“Association for the Creation of the Fondation Van Gogh” to the next
level. With the generous aid of art patron Luc Hoffman (who is also a founding
member of the World Wildlife Fund), the Fondation was formed two years later
and Hervé Schiavetti, the mayor of Arles, offered to house it in the 15th
century Hôtel Léautaud de Donines. Architects Guillaume Avenard and
Hervé Schneider of the architectural agency FLUOR were brought in to handle the
delicate renovation of the space to work in conjunction of the strict
regulations controlling the protection of Arles under UNESCO World Heritage
Site status. They too believed in Vincent’s faith in the Provençal light and
the resulting Fondation Vincent Van Gogh Arles, which opened it’s doors to the
public on April 7th, is a true merveille and a fitting expression of the artist’s
formidable vision.

The Fondation’s Artistic Director Bice Curiger and curator Sjraar van Heugten have collaborated on “Van Gogh Live!”, the opening exhibition, which is split into two parts. The first, “Colors of the North, Colors of the South” features works that trace the evolution of Van Gogh’s color palette from his previous time in Paris to his exploration in Provence both by contemporaries that influenced him (there are gorgeous pieces by Courbet and Pissaro amongst others) to the paintings of Van Gogh himself.
British artist Gary Hume was selected to choose appropriate colors for the exhibition rooms and the spacing of each piece on the walls lets the visitor fall into a separate world…

…One all the better to appreciate such fine monographs as those by Utagawa Hiroshige and to see them how Vincent must have seen them…

…And how he then saw himself.

The Van Gogh’s present, on loan for the exhibition by the Van Gogh Museum in Amsterdam are breath-taking in their directness and expansiveness.
For those of us who live in Arles, they can be quite moving to behold as well. Certainly that was the case for me in seeing “The Yellow House” in person after having looked upon so many facsimiles for so long. The brushwork is fascinating, as is the specificity of the coloration of that house that he built his future upon and which, unfortunately, was bombed during World War II and is no more. 

And yet, the Fondation is not only looking back into Vincent’s past. Far from it, they are also aiming to extend his presence into contemporary art as well. In the second half of the exhibition, nine international artists were invited to provide their interpretation of what that might be.
Amongst them, Thomas Hirschhorn‘s large scale installation especially fascinated the crowds during the opening. It portrays the world of a young Japanese woman who is so obsessed with Van Gogh that she becomes lost in the looking, all while embracing a “positive” side to her status as a “fan.”
On a far quieter scale visually, Camille Henrot approaches the question, “Is it possible to be a revolutionary and like flowers?” by exploring expressions of the Ikebana form of flower-arranging. Each arrangement was derived from a quotation concerning Van Gogh and the results are deceptively forceful.
Percussionist Fritz Hauser recorded the scratches made on the walls of one of the Fondation’s stairwells and transformed it into a sound installation called Schraffur or “Hatchings.”
But my personal favorite and most literal link to Van Gogh’s artistic legacy came in the guise of the fluid and delicate paintings by Elizabeth Peyton. In their intimacy, you can almost feel Vincent breathing over her shoulder and guiding each movement of her hand.

I also appreciated how several of the architectural elements of this former Banque de France (as seen here in the panelling in front of Bethan Huws‘ video installation)…
…Breathe seamlessly with the modernization of the building; one that is almost cleft in two, a fitting reflection of Vincent’s increasingly unstable mind during his time in Arles…
…As well as a possibility to dive into the layers of both the exhibition and the experience of discovering this important new museum.
For the translation of this historic building into a contemporary museum is a work of art in itself. The incorporation of such elements as Raphael Hefti’s prism-like reflective glass panels on the roof of the translucent facade as well as Bertrand Lavier‘s opening door – engraved with Van Gogh’s signature – further make it so.

And yet, I found myself thinking as I wandered up to the roof terrace that there is nothing pretentious or precious in the presentation, something all to perfect for a foundation celebrating someone who is arguably the world’s most popular artist.

Along with the other visitors, I took in the delightful views over the rooftops of Arles. A view that has little changed since Vincent’s time. A Mistral wind whipped around us and I couldn’t help but wonder if it was Vincent’s ghost, claiming victory, for once and for all.
Down below, the visitors took in the sun of the courtyard and sipped ice teas provided for the occasion. There was no sense of frenzy, no pushing to see the masterpieces. If Vincent’s ghost had indeed come to visit then certainly he was now welcomed…with peace.
The crowds of that opening weekend have departed, widely proclaiming contentment along the way. I now pass the museum every morning while walking my dogs and nod at it quietly. It gleams in its newness and yet has already claimed its place in the history of this old town. With one foot in-between the past in the future, it is a great gift to Arles and a perfect tribute to the aesthetic of Vincent Van Gogh.
The Fondation Vinent Van Gogh Arles
35 Rue Docteur Fanton
13200 Arles
Tel.: +33 (0)4 90 93 08 08
Opening hours: Everyday from 11am to 7pm (to 9pm on Thursday)
Price: 9€ adults, 4€ for youth and students, free for children under 12
Van Gogh Live! is on from April 7th to August 31st. I highly recommend seeing this exceptional opening exhibition.

Contrasts in Provence, part two

“You do me an honor.” I turn to face a young man advancing towards me with a smile. It takes a moment for me to realize that I am photographing what must be his home. And in fact, I am even photographing his painting, that of an odd creature that catches my attention every day as I pass  on my walk with the dogs. It decorates a flower-box hanging above a cobble-stone passage, mere steps from the Arena.
“I have always wondered what this little guy means,” I stammer out. It is not often that conversations are started between strangers in Arles. “Ah, he is the God of the Bulls.” His French has a Spanish accent. I widen my eyes in surprise and so he continues. “You see, he glows like the sun. And here, ” he points to scraggly traces leading off on the right hand side,”these are the spirits of all of the bulls that were killed in the Arena.” We both turn to look to where the souls had come from, the stone arches rising to the sky. “They come to the God of the Bulls and make him strong.” I see the red behind the figure, the dark red of blood. “And so you have him here…on your house…” I try to find the words, “to protect you?” 

There is a pause. That wasn’t quite what I meant to say but between his accent and my own, there is something lost in the air, hanging. But we look at each other and nod. I nod again, we wish each other “Good Evening” and I turn to go.

Camera in hand, I continue my path but my thoughts are elsewhere. I remember that le Feria de Pâques, the Easter Bullfights is fast approaching.
There will be more souls for the God of the Bulls soon.

The pursuit of happiness

It was a perfect day and so we did what anyone would do, we went on another picnic. Actually, it would appear that picnic season has officially begun as I am getting swifter at packing the two china plates, the silver wrapped in napkins. I carefully tuck in the wine and glasses and then select an array of charcuterie and cheeses. This is good time food.
It is why we go. For here we are too noise-filled, too hemmed in. In the country – and specifically in the shadows of a cabanon that makes us dream – we find peace. And in that peace, happiness. 
It is something that I have been thinking of lately – yes, again – the fleeting aspect of that particular  bluebird and yet how so often we assume it is our right for her to flutter around us, keeping us company, permanently. No, I see that it doesn’t work like that – just as it is useless to chase after that other fickle feathered friend, Youth – the less I demand it, the more it arrives. I do love those rare moments when I can feel everything fold into itself and I am in it, knowing how very good it is. It can be as simple as Remi throwing a stick to Ben and Kipling in the distance. In my watching then seeing, I know. 
I would like to share with you two quotes and a bit of poetry…

“But as I try and understand how life works – and why some people cope better than others with adversity – I keep coming back to something to do with saying yes to life, which is love of life, however inadequate, and love for the self, however found. Not in the me-first way that is the opposite of life and love, but with a salmon-like determination to swim upstream, however choppy upstream is, because this is your stream…What the Americans, in their constitution, call the ‘right to the pursuit of happiness’ (please note, not ‘the right to happiness’) is the right to swim upstream salmon-wise.” 
-Jeanette Winterson, from her quietly amazing and very poignant memoir, “Why Be Happy When You Could Be Normal?”
“Pursuing happiness, and I did, and I still do, is not at all the same as being happy – which I think is fleeting, dependent on circumstances, and a bit bovine.
If the sun is shining, stand in it – yes, yes, yes. Happy times are great, but happy times pass – they have to – because time passes.
The pursuit of happiness is more elusive; it is life-long, and it is not goal-centered.
What you are pursuing is meaning – a meaningful life.”
-Jeanette Winterson, “Why Be Happy When You Can Be Normal?”
“i thank you God for this most amazing 
day: for the leaping greenly spirits of the trees 
and a blue true dream of sky; and for everything
which is natural, which is infinite, which is yes.”
– e.e. cummings

I hope that your spring is full of good things growing.

And that they are not passing at such speed that you don’t see them.

Or if the buds haven’t bloomed yet, know that you planted the seeds long ago.
They will.

Just find the footpath, no matter how buried it might seem to be…and stay on it.

Have a wonderful week everyone…more on the Fondation Vincent Van Gogh soon…

Colors for Vincent

As with the other residents of this fine old town, I am eagerly awaiting the inauguration of the Fondation Vincent Van Gogh Arles tomorrow. It has been many months in the making with a thorough renovation of a 15th century hôtel particulier just down the street from where I live. Much banging has been accompanied by a fair shake of rat a tat tat. Something tells me Vincent would have approved. 
Certainly he would be delighted that at last his work is being appreciated and shown in a town he loved so dearly (until now there has been only one Van Gogh in all of Provence, in a private collection in Avignon). There is much mystery about his time here and quite a few myths to be pierced as well. But for me, what is certain, is that he took something as intangible to paint as the Mistral winds that blow and caught them by the tail. The light? He coaxed and wheedled until it was eating out of his hand like the swallows that criss-cross overhead. 
We see what we want to see and certainly Vincent stuck to his lonely path until the end. And now we have the remnants of his scattered moments of happiness, his brazen unknown success, to gaze upon and understand what is our Provence.

I’ll leave you with some of his colors – albeit modern and worn – found on one walk through the centre historique, not far from his Yellow House. 
Have a lovely weekend and I will report back after the opening in a few days…

Ten things to take on a cruise – for By Invitation Only

C’est un poisson d’avril?” you might be wondering. “Are you really following up a week of talking about right wing politics, Humanity and Death (in the comments section no less) with…a cruise?” I am, dear friends. Call it an antidote if you wish but I also made a promise to the lovely Marsha at Splenderosa, who is the founder of the By Invitation Only International series, that I would stick to the theme…for once, since it seems that…um…I am not always so great about that. This month’s theme is, as the title of this post infers, “10 things to take on a cruise.” So here we go…
©Remi Benali


Heather’s List of Ten Things to Take on a Cruise

1) Flexibility. Perhaps you have flown for days (literally) only to arrive at your tropical destination and find that…it is raining. Hard. Or let’s say the boat, your home away from home and mode of transportation, is not all that you had desired. Perhaps you will have to travel up the Maroni River in the French Amazon for days on end with the sun beating down mercilessly on your head which is already weary from the endless mosquito whine of the straining outboard motor. You know what? It’s all good. It’s just another part of the story and you have gone on the cruise to write a new chapter to your story, n’est-ce pas?

2) Patience. Not everyone is on the same time schedule and time is one of those oddly relevant and irrelevant things while traveling, isn’t it? So perhaps you will have to wait many hours while the afore-mentioned motor is being repaired or several days floating in a prism of heat on the Niger River until you meet up with your rendez-vous. All the better to let the scenery imprint itself on your mind until the end of your days. And those stars at night that burn so bright will remind you how silly your rushing to and fro actually is.

3) Reading, writing and research. But still, even the most zen of us can use a little outward inspiration and inward exhalation. So make sure that you have plenty of good words around you, both those by others and those which you will slowly scrawl on a page until you remember what it is like not to type. And why not do your homework and bring it with you? If you understand, really understand, what you are seeing, it will mean so much more to you than, “Oh…that is…pretty.” Not to mention, it is just the smart way to travel when on excursions onshore. For example, while everyone else is at Angkor Wat in Siem Reap for sunrise, pushed into sardine-like groups to capture that rising burning ball, you will be at the Bayon, alone save for the wizened Buddhist nun who is the attendant. She will nod at you as she lights her offerings and the moment will be pure magic.

4) Protection. Let’s face it, even on a cruise, it can be a jungle out there, so be prepared. It goes without saying that your skin is going to take a beating so please apply the SPF liberally and often. If you happen to be in a boat that is low lying to the water (as opposed to those jumbotrons that are destroying the canals in Venice – oops – did I say that? Moving swiftly on), keep in mind that you won’t be able to hide from the sun’s reflection, even under a big floppy hat. The brown spots on the back of my hands said that they are warning you. I have been known to snorkel in a long sleeved shirt to protect my bright white skin. And your eyes? I don’t care if you just bought the newest Prada with rotating crystal flowers on the sides, leave them home and get serious lenses with old-school filters. Pretty please? And additionally, have a photo copy of your passport and credit cards (not in your wallet) just in case…

5) The goods. Ok, so we are deep into the non-fun part of the list but truly? Do you want to spend your precious days groaning in your stateroom clutching your belly in pain? Think how far most of the food has had to travel to be prepared on even the finest of ships. Accidents happen. Plus, of course there is the whole panoply of other “must haves”: dramamine, mosquito spray, anti-malarial meds if you are in that type of zone, anti-bacterial gel…actually, just see the amazing Slim Paley’s list here. Oh and a pair of shower shoes. Because if, after two weeks of having gone without a shower, you arrive in Timbuktu only to find that yours is lined with thirty giant cockroaches, you are going to need them.

©Remi Benali

6) Portable elegance. On that note, there are times when you might need a little pick me up. We all have ours. Mine is without a doubt my beaten but still true Hermès scarf. And red lipstick. Without fail. Even if it has gotten me some strange looks in certain countries. Silver jewelry is also a favorite but why not leave yours at home and buy some where you are? You will be helping out local artisans and giving each piece a special memory as you do so.

7) Kindness. A little goes a long, long way and I can promise you that it will not be forgotten.

8) Simplicity. Even when on a fabulous yacht in Bora Bora, I’m not a fan of excessive embellishment. A happy glow will do most of the work and if the world’s top designers keep their Cruise wear lines simple, it is for a reason. As much as I live in black, it is just weird on a boat (unless there is a funeral at sea) so I like to keep it light. I live in my white cotton shirts and khaki capris, wide-legged linen pants and long skirts that roll up in the suitcase. They dress up or down. I have a pareo that Remi brought back from Ethiopia that is the perfect weight to work as either a cover up or a scarf. Oh and always, a clean outfit (protected in its own plastic bag) to wear home on the plane.

9) A camera. Now, I realize that in our Instagram world (hey, I have given in to it too, you can find me at @lostinarles), this can be a catch-22. How amazing to seal memories onto a disk (and then print them out into albums or books), how sad to spend so much time snapping away that you ignore your partner and the bliss of the moment. À vous de juger…



And most importantly…

10) A clear mindset: stay open, be ready for adventure and have a sense of humor about it all!

Et voila! Wow, that was fun to write. Those of you who have been reading for a long time are no doubt very surprised at seeing so many photos of me, more than in the nearly four years of blogging combined. And trust me, it will never happen again. But oh, these are all so old, some more than ten years (!), that it made me happy to revisit wide-eyed young ‘un me. Hi you! Those truly were such incredible life experiences. 
I have already mentioned the cruise in Bora Bora for my first post in BIO, you can see it here. 
I wrote about our trip up the Maroni River here. 
Both of our journeys on the Niger River in Mali and on the Mekong in both Vietnam and Cambodia were truly epic and are stories for another time…
Toujours l’envie pour l’aventure? To read all of this month’s contributions to By Invitation Only, please stop by Splenderosa by clicking here.
I would like to extend a special welcome to two friends that have just become members of this fine group, Jeanne McKay at i dream of and the charming La Contessa of Vintage Hen House!

Two of the photos are used with permission and copyrighted by my companion, Remi Benali, so please do not use nor share on any social media such as Pinterest. Merci!

Happy trails…
PS…Oh! Don’t sail off just yet as I have a favor to ask. Remi’s story in National Geographic in the April  2014 issue is now out on newsstands worldwide. For those of you in non-English speaking countries, would you be willing to email me a photo of the opening page at robinsonheather@yahoo.com? It is just for us, just for fun and we would be so grateful…

Remi’s musical suggestion for this post, perfect for traveling: