I have a long-standing love of fine hotels. In my early 20’s, I saw first hand how hoteliers such as Ian Schrager transformed properties like the Paramount or the Royalton into spaces that were not only complete aesthetic worlds for their guests but also hot-spots that attracted and served the local community. Conversely, in my travels, I also experienced the fact that even some of the most elegant resorts in the world miss out on that spark, leaving behind an after taste of champagne gone flat.
So it was with great anticipation when I first heard that the designer Christian Lacroix had agreed to redesign the Hotel Jules Cesar, one of Arles’ most well-known luxury hotels that had sadly morphed into something of a sleeping dinosaur in recent years. Christian Lacroix is not only from Arles, he is one of its prodigal sons. He understands the tricky juxtapositions of this ancient town innately. In the introduction to the excellent guidebook, “Arles, ville d’art et d’histoire,” he proclaims that, “Arles is at once working-class and imperial, rustic and aristocratic, Christian and pagan, modest and proud, classical and traditional, stark and baroque, austere and unbridled. Apollo and Dionysus. In colour and black and white.”
How would all of that translate into a hotel design? Christian Lacroix had found an apt partner in architect Olivier Sabran but how much could they do?
I pushed open the old rotating doors, happily still in place, took one look around…
…and gasped with delight.
It was all here. From the proud toréador presiding over the bar, to the 18th century scenes depicting Arles as it was (including an insider’s wink from when the Arena had been transformed into a village of its own), to the vibrant colors so present in the light, the air – those that inspired Van Gogh and Picasso – to the hum of the future that Arles is building towards with swift momentum. For as I have already said, “It is not sleeping.”
And neither is the hotel. It is a lot to take in.
There are so many details to discover, such as the combination of Provençal calade and Roman mosaics woven into the carpet…
…a light-filled breakfast room perfect for charging up for the day…
…and so many corners for a tête à tête.
I was delighted to see that the design was not a tabula rasa, for that would not be Arlésien du tout but rather a mixing of old and new. Some of the fauteils that I recognized from the hotels previous incarnation had been given a new zip of upholstery…
And the panelling in the restaurant was topped with a parade of L’Arlésiennes in their finest…
…as well as a few of the wild bulls from the Camargue that are no doubt being served up on plate too. As I visited in the afternoon, the restaurant, Lou Marquès, was closed but I have heard, as was always the case, nothing but good things regarding the chefs Pascal Renaud and Joseph Kriz who have upped the ante of their regional cooking by bringing in a new pastry chef, Anne Beyl.
For you see, the hotel’s team was not shelved during its acquisition by the Maranatha Group, something of a rarity. As part of the contract, it was agreed upon that the former owner, Monsieur Albagnac, now in his nineties, would be permitted to continue living in his private quarters onsite.
And while I was poking around the delightfully Alice in Wonderland like hallways, some of which had been scrawled upon with quotes from another prodigal son of Provence, the Nobel Prize winning poet Frederic Mistral, I met one of the hotels top managers who had been with the company for 26 years. Anyone who has worked in the industry knows how demanding it is and I was really pleased to know that such dedication had been correctly rewarded.
The gentleman very kindly offered to show me a standard double room…
…where the interplay of materials and prints that Lacroix had already used to such acclaim in his designs for such Parisian hotels as the Hôtel Petit Moulin or Le Bellechasse is in evidence…
…as is the presence of a fine antique armoire for which the artisans of the area became well-known in the 19th century.
Brazilian tiles meet ones that are a funky sun-splashed mix in the bath…
…an echo of the light that pours in through the former cloister on the lower level of this historic building.
In the 17th century, the building was created as a convent for the Carmelite nuns, who were expulsed during the French Revolution, when the building served as the Hôpital de la Charité until it was closed in 1903. Afterwards, a petition was put forward to convert the space into a luxury hotel, in which purpose it has served since 1928, save during World War II when it became the Kommandatur of the German Occupation. As Arles is protected as a World Heritage Site, all of the historic aspects of the property were renovated by the règles du métier under the strict supervision of the Bâtiments de France.
It is fun to imagine what the nuns would have thought of the extravagant Lacroix suite!
It is a modern cocoon and yes, the bright red is comforting…
…and a welcome change from the quiet Zen styles that have reigned over hotel design for far too long.
As someone who claims – a tad boastfully even! – to know Arles very, very well…
…it was wonderful to discover a charming garden courtyard that I had no idea existed…
…as well as to be surprised by the splashes of the pool where tanned twenty somethings lounged languidly in the sun.
Such is the spirit of the new Hotel Jules Cesar, now a five-star property, it is an invitation to have a seat…
…and open the door to the best of the essence of all that Arles is, has been and hopefully will become. I know that I will certainly look forward to going back as a guest or as a local. In 2001, Christian Lacroix also wrote from the result of his living here, “What I see, I keep; but I grow because I give in return. The key here is not so much the idea of an eloquent past as that of a present whose voice is always in the background.” May that voice keep humming for a very long time.
Hotel Jules Cesar
9 Boulevard des Lices
13200 Arles
Tel.: +33 (0)4 52 52 52
www.hotel-julescesar.fr
Special re-opening rates can be booked on the website starting from 125€ for a Chambre Classique, the Suite Lacroix from 382€
13200 Arles
Tel.: +33 (0)4 52 52 52
www.hotel-julescesar.fr
Special re-opening rates can be booked on the website starting from 125€ for a Chambre Classique, the Suite Lacroix from 382€
Sharon, if you get a chance when you get back, would you let me know if your opinion changed once you had been there? Just curious! And have a great time in my old stomping grounds…For a casual lunch: Le Cuisine du Comptoir, for lunch or dinner under a trellis: Le Galoubet, for Michelin cuisine: L'Autruche and as always, don't eat on the Place du Forum save for Chez Caro!
Nope, Sweets. That will most likely be on Sept. 16th for a series post on "sharing." Not easy to do with one's personal space as you know…
Hugs to you.
Yep, so much to see, Edgar.
Silke, you are so awesome – if you can let me speak "Californian" for a bit! 😉 And I found the rooms really peaceful, somehow! I did!
Very bold and although it is not my preferred style I can appreciate the vibrant colors and styles juxtaposed with the classic surroundings. I'm afraid I would prefer a more soothing décor in the rooms. We come to Arles on Monday and we will be sure to pop in and check it out in person whilst having a pastis in the bar!
I'm surprised by all that intense, unapologetic color! Unexpected.
Did I miss the post where you aired pics of your new home?
I knew what we were getting into. I had seen a few photographs of the renovation. We are looking forward to our visit. Gina
Almost like walking inside a gallery of modern and old art and surprising mix of colors. From hallways to the guest rooms are offerings of wonderful discoveries.
I have seen some images alredy chez Manon so my eyes and mind already could adjust to this whirlwind of style and history through the centuries. There is a lot to say about this. And it is for sure too much to digest for someone who is seeking for a mere ambiance of relaxation.
Alltogether an Artpiece. An incredible mix of style quotation (architecture, furniture) well done eclecticism ( I love that) and postmodern stage design. ( I studied two semesters of stage design and worked at the Opera when I was a student.(:
And there is a lot of fashion too: cloth, colours, textures. I bet he had so much fun doing that and letting go! These three sentences won't really do the ouevre justice!
And he's from Arles like Francois Halard!
Heather, I like the photograph of the breakfast room for its levels of narration: A room through a doorwindow with a printed stage setting.
See, you polarize without talking about politics. (; Surprenante mais vivante!
(cheering that you "took"/had access to the hotel)
Hmmm – I see there are many naysayers, but I like it! I do love the mix of old and new and all of the color! But, of course, I guess it's not for everyone. So glad that you got "full access" (or mostly full?) so that we could see the rooms, the courtyard, etc. Beautifully shot and written, as always!!